| Song | Artist | Album |
| Attica | Linea Aspera | Preservation Bias |
| Watching Trees | Eleven Pond | Bas Relief |
| Distance | Rendez-Vous | Distance |
| IN FIRE AND IN BLOOD | ∆AIMON | IN FIRE AND IN BLOOD |
| The Arsonist | Pure Ground | The Arsonist / And So Remain 7″ |
| Lovesick | The Vanishing | Still Lifes Are Failing |
| White Walls | The Vanishing | Songs for Psychotic Children |
| Shatter Matter | Lebanon Hanover | The last Thing |
| Figures | Absolute Body Control | Wind[Re]Wind |
| Sahrah | End Of Data | Sahrah |
| Alice Don’t Jump | Nine Circles | Alice |
| We Were Lovers | Buzz Kull | Chroma |
| Motion | Boy Harsher | Motion |
| Trauma | Minuit Machine | Live & Destroy |
| Fear of Feeling Nothing | Rosegarden Funeral Party | At The Stake |
| Modern Story | Circuit 7 | Video Boys |
| Afterglow | The KVB | Only Now Forever |
| Quiet Mind | Iron Curtain | Artifact |
| A Taste of Relief | Glaring | Decay |
| Why Do You Go? | Cult Club | Play With Lies |
| Whispers in the Shadow | The Vyllies | Whispers in the Shadow |
| The Adventitious | THE IRE | 19 NOTES ON A BROKEN SYSTEM |
| Holycow | Kas Product | Des jeunes gens mödernes, Vol. 2 (Post Punk, Cold Wave, et culture Novo en France (1978 – 1983)) |
| You You (2019 Remaster) | Malaria! | Compiled 2.0 / 1981-84 |
| Polaroïd/Roman/Photo | Ruth | Polaroïd/Roman/Photo |
| Panopticon | Belgrado | Panopticon / Vicious Circle |